Tag Archives: Radial Engineering

Radial Engineering Headload Guitar Amp R800 7058

Radial Engineering Headload Guitar Amp Load Box 8 OhmRadial Engineering Headload Guitar Amp Load Box 8 Ohm
The Headload is a combination load box and attenuator that is capable of handling up to 130-watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels.The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier.In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead.For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6-position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps.Available now in 8 ohms, the Headload is possibly the most useful load box ever made.Radial JDX Reactor and Phazer for direct recordingDelivers great tone from your amp at low volumeFront vents allow cool air to circulate, driving by rear-mounted fanShelving EQ Control used to fine-tune the JDX output to suit your recording or live monitoring needsRemovable handle for rack mountingAnalog phase-shift control lets you adjust between 0-180 degrees and 181-360 degreesResonance enhacnes the EQ curve to compensate for the tone shift when the speaker level is reducedRange Control knob lets you fine-tune the power level when set below 20% for greater controlLoad Control knob is a six-positions rotary switch that sets the power reduction from 100% down to OFFRotary switch lets you chose between six cabinet emulation prest curves180/360 button toggles the phase shift from 0-180 to 181-360 degreeHeadphone outPhase adjustment toolAnalog phase-shift control lets you adjust between 0-180 to 181-360 degree1/4 out jack for connection to amp1/4 out jacks for connecting to speaker cab1/4 in jacks for connection from guitarRevers
Amplifiers & Effects, Amplifiers, Guitar Amplifiers, Guitar Power Amplifiers Radial Engineering J23212.002 R800 7058
Radial Engineering, Guitar Power Amplifiers

Radial Engineering Headload Guitar Amp R800 7056

Radial Engineering Headload Guitar Amp Load Box 16 OhmsRadial Engineering Headload Guitar Amp Load Box 16 Ohms
The Headload is a combination load box and attenuator that is capable of handling up to 130-watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels.The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier.In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead.For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6-position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps.Available now in 8 ohms, the Headload is possibly the most useful load box ever made.Radial JDX Reactor and Phazer for direct recordingDelivers great tone from your amp at low volumeFront vents allow cool air to circulate, driving by rear-mounted fanShelving EQ Control used to fine-tune the JDX output to suit your recording or live monitoring needsRemovable handle for rack mountingAnalog phase-shift control lets you adjust between 0-180 degrees and 181-360 degreesResonance enhacnes the EQ curve to compensate for the tone shift when the speaker level is reducedRange Control knob lets you fine-tune the power level when set below 20% for greater controlLoad Control knob is a six-positions rotary switch that sets the power reduction from 100% down to OFFRotary switch lets you chose between six cabinet emulation prest curves180/360 button toggles the phase shift from 0-180 to 181-360 degreeHeadphone outPhase adjustment toolAnalog phase-shift control lets you adjust between 0-180 to 181-360 degree1/4 out jack for connection to amp1/4 out jacks for connecting to speaker cab1/4 in jacks for connection from guitarRevers
Amplifiers & Effects, Amplifiers, Guitar Amplifiers, Guitar Power Amplifiers Radial Engineering J23212.003 R800 7056
Radial Engineering, Guitar Power Amplifiers

Radial Engineering Wr-8 Rack 8 Slot R700 0101 00

Radial Engineering Wr-8 Rack 8 Slot Power RackRadial Engineering Wr-8 Rack 8 Slot Power Rack
The Workhorse WR-8 is a trimmed down version of the Tec Award winning Workhorse power rack without the 8-channel summing mixer. This enables those that may not need a mixer to join in the fun while leaving the door open to upgrade in the future.Like the Workhorse, the WR8 features eight slots to accommodate both Radial modules and other API Lunchbox compatible modules. An innovative slide-in tray makes loading modules easy! Rear connections include XLR and 1/4 TRS inputs and outputs plus parallel connections via D-Subs. Unlike older API type racks that need to be hard patched, the WR8 features an innovative FEED switch that lets you connect modules in series by simply setting the switch to suit. This leaves the other connectors open for mult’ing, parallel processing and cross patching.Stereo-ready modules such as compressor-limiters no longer need to have inside traces soldered! A simple LINK switch performs the connection and lets you revert back to normal without de-soldering. Radial also upgraded the 500 series spec with Omniport, a 1/4 TRS connector that enables the manufacturer to assign a special module-specific function to increase functionality. Radial modules employ the Omniport in a variety of ways. For instance, the PowerPre assigns the Omniport as an instrument input, the Komit is a key input for the side chain and the JDV-Pre uses it as a direct box output for stage use.The WR8 provides extra power to the modules for more headroom with over 1600 milliamps of shared power for the 8 slots. This enables you to use power hungry devices like tube preamps with confidence. The external supply makes international travel easy with 100V to 240V compatibility and the use of a standard IEC connector. To keep modules safe, the WR8 is equipped with protective circuitry to prevent mishap should improper connections be made.500 series power rack with room for 8 modulesUpgrades to full Workhorse with optional mixer100% compatible with older API type racksOver 20% more current than the original spec
Pro Audio, Signal Processors, 500 Series Gear Radial Engineering J15988 R700 0101 00
Radial Engineering, 500 Series Gear

Radial Engineering Headload Guitar Amp R800 7054

Radial Engineering Headload Guitar Amp Load Box 4 OhmsRadial Engineering Headload Guitar Amp Load Box 4 Ohms
The Headload is a combination load box and attenuator that is capable of handling up to 130-watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels.The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier.In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead.For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6-position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps.Available now in 8 ohms, the Headload is possibly the most useful load box ever made.Radial JDX Reactor and Phazer for direct recordingDelivers great tone from your amp at low volumeFront vents allow cool air to circulate, driving by rear-mounted fanShelving EQ Control used to fine-tune the JDX output to suit your recording or live monitoring needsRemovable handle for rack mountingAnalog phase-shift control lets you adjust between 0-180 degrees and 181-360 degreesResonance enhacnes the EQ curve to compensate for the tone shift when the speaker level is reducedRange Control knob lets you fine-tune the power level when set below 20% for greater controlLoad Control knob is a six-positions rotary switch that sets the power reduction from 100% down to OFFRotary switch lets you chose between six cabinet emulation prest curves180/360 button toggles the phase shift from 0-180 to 181-360 degreeHeadphone outPhase adjustment toolAnalog phase-shift control lets you adjust between 0-180 to 181-360 degree1/4 out jack for connection to amp1/4 out jacks for connecting to speaker cab1/4 in jacks for connection from guitarRevers
Amplifiers & Effects, Amplifiers, Guitar Amplifiers, Guitar Power Amplifiers Radial Engineering J23212.001 R800 7054
Radial Engineering, Guitar Power Amplifiers

Radial Engineering Jd6 6-Channel R800 6000

Radial Engineering Jd6 6-Channel Rackmount Passive Direct BoxRadial Engineering Jd6 6-Channel Rackmount Passive Direct Box
Featuring the same highly acclaimed Jensen transformer equipped circuit as used in the renowned Radial JDI direct box, the JD6 contains 6 completely independent audio channels for 100% isolation, minimal crosstalk and low noise.All channels feature -15dB pad, a 180 polarity reverse, and a pin-1 ground lift disconnect at the XLR for added prevention against ground-loops. Easy ID labels for each channel use removable marker pen.Channels 1 and 2 have been outfitted with extra features and connections to simplify interfacing: dual RCA and 1/4 jacks with push-button selector; a merge function that converts the input and thruput to left and right mix to mono at the XLR; and a high-frequency roll-off filter. Channels 1 and 2 also feature 1/4 switching jacks with front channel priority.6 discrete Radial JDI DI’s in a one RU 19 unitJensen transformer equippedExceptionally low distortionHigh level handlingFront and back connectionsOptional hook-up extension panels-15dB pad for extra-hot signals8kHz HF roll off filter switch on channels 1 and 2Polarity reverse switch flips phase 180 at the XLR outputGround lift switch lifts pin 1 at the XLR outputFront 1/4 input connectorsFront 1/4 thruput connectors on channels 1 & 2Merge function switch on channels 1 & 2Input selector switch on channels 1 & 2RCA input jacks on channels 1& 2Easy ID label zones with removable marker pen
Pro Audio, Signal Processors, Direct Boxes Radial Engineering 153922 R800 6000
Radial Engineering, Direct Boxes

Radial Engineering Workhorse – Sixpack R700 0108

Radial Engineering Workhorse - Sixpack 500 Series Desktop RackRadial Engineering Workhorse – Sixpack 500 Series Desktop Rack
The SixPack is a desktop power rack for 500 series modules that lets you mix and match up to six modules and safely power them to create a stereo channel strip or unique signal chain.The design begins with a heavy 14 gauge steel construction and baked enamel finish. This provides extra durability when moving the SixPack around the studio while also providing better shielding against stray magnetic fields. To reduce induced noise, the power supply is external and connects using a 5-pin locking XLR. To ensure positive contact, the module card-edge connector is mated to a double sided EDAC 15-pin receptacle that is 100% compatible with the old API pin format. Extra safety is built-in to ensure malfunctioning modules will not harm the SixPack or other modules that may already be connected. And with 1600 milliamps of shared current, the SixPack exceeds all others with an average of over 265 milliamps per slot to ensure even the most power hungry tube modules will be satisfied.Rear panel connectivity includes individual XLR input and output connectors wired in parallel to �¼ TRS connectors. These may be used as mults or for cross-patching various modules together to create innovative sounding signal paths. A set of 25-pin D-Sub connectors enable the SixPack to easily integrate with a Workstation. Two XLR connectors are front mounted and may be routed to the D-Sub or to inputs 1 and 4 to make patching in a microphone more expedient. Extra features include a feed switch that patches one module into the next, a link switch to combine stereo-ready modules and Omniport, a �¼ TRS jack that adds extra functionality.The convenient design lets you set the SixPack down on your work surface or carry it around the studio using the side-mounted handle. Optional flanges let you mount it in a 19 rack if you plan to take your SixPack on the road!Portable 6 slot power rack with carry handlePerfect for stereo channels or as a studio side carPowerful 1600 milliamp supply will not sag when loadedWorkstation ready with front panel convenience XLRs
Pro Audio, Signal Processors, 500 Series Gear Radial Engineering J04470 R700 0108
Radial Engineering, 500 Series Gear